i.
Listen, why do you think the armed constabulary
shot all the able bodied men that evening in ‘eighty seven?A – Because the constabulary had guns
B – Because water sources have always needed blood
sacrifice of the young, they were rounded up and shot near the canal
although washing blood out of a canal is impossibleC – Because they had a truck
(and blood is a non sequitur)
ii.
Listen carefully now
They’ll call it Reinforcement of Internal Security
Or Control of Anti-National Activity
Or, more neatly, ProcedureProcedure will ring the doorbell eleven times
between three and four in the morning
yanking you out of a deep sleep dream in which an ex
wears mascara and wanders unbathed into a nice hotelProcedure will riffle through cupboards
ask you to empty out drawers and make precise lists
of contents: your grandmother’s watch,
cultured rice pearls, plans
for a house not yet builtProcedure will politely ask the cab driver to pull over
on the expressway, flashing mysterious
IDs, requesting you to come answer a few questions
without specifying whereProcedure will concern itself with proof:
papers you can furnish, phone lists to establish
whether you have journalist artist professor
friends who might make a noise if you disappeared
or were found to have confessed to something
via methods popular in the eleventh century CEProcedure will stand guard
as fire snakes through your township
documenting what becomes of solar rooftop panels,
underground sewage tanks and compost pits
under high heat circumstances before updating
the procedural manualListen to me:
Do not allow
an anxious fingertip to check how thick
the dust on your great-grandfather’s rifle
lying in safe depositReturn to the newspaper
and tomato-cucumber breakfasts
Turn to the comics page
Read your horoscope
Listen for it:When it begins, you must not insist
on calling Procedure to its face
warGather up the children likeliest
to die under the biggest tree
and surrender to them
the a-b-c’s of your languageAt noon, take the littlest ones
into your lap and chant
a rhyme about the kid
who ate almonds and walnuts
and drank soda waterConduct frog leap races
potato-spoon races
thread-the-needle races
sack races
cartwheel racesTake those of your people
who do not yet understand
to the cinemaThose who refuse to eat
outside food,
buy them cakesJuice the air for laughs
Hold your arms wide and squeeze
the breath out of their gnawed heartsNibble
Grow old overnight
Toss salty head from left shoulder to right
and run to empty swings in a park you watched
grow emptier
emptier
emptyListen for it:
Procedure (war)Now, loud, call it:
War
iii.
The town is a black hole
Dangling in neat rows
fairy lights in
glass front storeInside hang some more
in rude bunches of
white military formationThese lights are your tunnel
At the end of it
you may go blindOrange green peacock blue
mosaic shells clasp
trees in spider embrace
sucking out of your eyes
the handful of soil you were saving up
for your own graveListen
you, who have been fed your own flesh
you cannot tell pain from victualToo long you sat through meals
where the blood of your brother
set lips smacking
Too long you pursed your mouth to suck
at the wound in the infinite body
of the republicEyed by the watchful
you stoked fireYou hurried past your kul devi
and devta, giving them sweets
and yellow thread
never the heart’s blood
that is due to the godsIt is not too late
Unglue lips from the wound
and say,
I do not drinkStop sticking that knife into
God’s underarm
Say, my brother is my brother
not my mealSay, my brothers fill the hole
in my beingSay, forgive me
I did not know* * *
- 114: NO THEME 13with J Toledo & C Tse 113: INVISIBLE WALLSwith A Walker & D Disney 112: TREATwith T Dearborn 111: BABYwith S Deo & L Ferney 110: POP!with Z Frost & B Jessen 109: NO THEME 12with C Maling & N Rhook 108: DEDICATIONwith L Patterson & L Garcia-Dolnik 107: LIMINALwith B Li 106: OPENwith C Lowe & J Langdon 105: NO THEME 11with E Grills & E Stewart 104: KINwith E Shiosaki 103: AMBLEwith E Gomez and S Gory 102: GAMEwith R Green and J Maxwell 101: NO THEME 10with J Kinsella and J Leanne 100: BROWNFACE with W S Dunn 99: SINGAPOREwith J Ip and A Pang 97 & 98: PROPAGANDAwith M Breeze and S Groth 96: NO THEME IXwith M Gill and J Thayil 95: EARTHwith M Takolander 94: BAYTwith Z Hashem Beck 93: PEACHwith L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRICAN DIASPORAwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones