Red, White, Blues
Communities are to be distinguished, not by their falsity or genuineness,
but in the style in which they are imagined. — Benedict Anderson, Imagined Communities
In my imagined homeland,
I live near the peak
but should I tan
I
would
fall.
Debased.
If I had stayed in that land
my imagined. the real land
i would not be here
where
Forehead to Forehead
Foreigners in a pit in ritual
In a panopticon
Perimeter of PLA
Lost to EDM
On MDMA
Breathing industrial air
Even Huxley could not dream of this
[and you thought Amaurote was strange].
In my imagined homeland
I kneel in a row
alongside others robed in silk
practising sword play
filtered through the lens of
Christopher Doyle
directed by fifth generation directors
Anachronistic sanitation
I want something more exotic.
‘Emily Sun’ lives and works on the unceded lands of the Wadjuk Noongar people (Perth, Western Australia). Her works have been published in various anthologies and journals including
Meanjin, Cordite Poetry Review, APJ, Mascara, and
Growing up Asian in Australia.
Her debut poetry collection
Vociferate 詠 (Fremantle Press) was listed as one of the
Australian Book Review’s Books of the Year in 2021, was Highly Commended in the New South Wales Premier’s Literary Awards, and was shortlisted in the Western Australia Premier’s Book Award in 2022. She is currently pursuing a PhD at the University of Western Australia, where she is working on a historical fiction project. Emily is the co-editor/publisher of
Hello Keanu! A Poetry Anthology (2024).
https://iamemilysun.com/