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Recent Posts
- Notes on Five Canadian Small (micro) Publishers
- Inaugural Independent Publishers’ Conference and New Prize for Small Publishers
- JACKPOT Subs Closing Soon, INTERLOCUTOR Next
- Islanding the Antipodes? Notes on Archipelagic Poetics
- Ann Vickery Reviews Gig Ryan
- Guest Editorial: An Introduction to Sydney
- Blustertown
- Pam Brown’s Sydney Poetry in the 70s: In Conversation with Corey Wakeling
- Four Artworks by Kim Rugg: People, Places, Bad Boy and Just Passing Through
- ‘Xerographesis’: On Poetic Art and the Object in Amanda Stewart and Anne Tardos
- The Inaugural Sydney City Poet: Lisa Gorton Interviews Kate Middleton
Recent Comments
- Making a splash down under. « on Notes on Five Canadian Small (micro) Publishers
- Stuart Barnes on syd
- Stuart Barnes on Act #12
- Emily Stewart on Islanding the Antipodes? Notes on Archipelagic Poetics
- Dennis Garvey on Islanding the Antipodes? Notes on Archipelagic Poetics
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Recent Tweets
- 'It's a matter of consulting the oracle in the unconscious cave' Awesome ern malley radio feature from 1959 http://t.co/tafmusKv about 2 hours ago
- Check out @readism 's close reading of Michael Farrell's poem Transpacific, published in our Sydney issue http://t.co/sN8MGFqJ about 6 days ago
- Submissions for our next issue JACKPOT close next week. Give your pomes a final spruce and send 'em on http://t.co/c44RVPKG 11:48:52 PM May 08, 2012
- RT @w_m_lewis: I adored Ann Vickery's far-reaching and eclectic #poem 'Western Triv' in @corditepoetry Issue 38 http://t.co/mEFkBGEL #poetry 02:47:49 AM May 07, 2012
- Monday fresh: a great guest post by Bonny Cassidy talkin' about Antarctica and Archipelagic poetics http://t.co/CPdsmesi 02:40:53 AM May 07, 2012
CONTRIBUTORS
James Smith
The Call to the Creative Commoner: The Digital Humanities and Flexible Copyright
If you try and stand in the way of the open source movement, then you are a counter-revolutionary. You may find yourself blindfolded and up against a crumbling wall, waiting for the collective report that will remove you from the picture and allow the future utopia of free knowledge to inch that little bit closer to reality. Like the hard-liners of the FOSS (Free Open Source Software) movement[ii], the Digital Humanities army marches proudly forward waving its banners and imagining a bright, free future for the Humanities.
