Stephanie Powell



Dior Sutherland Reviews Claire Miranda Roberts and Stephanie Powell

Two paths unfold. The first, a cut through a mathematically precise study where landscape meets self, transposed over the growth patterns of flora. The second, an expansive suburban saunter through a treatment of identity and memory of place, plotted cartographically. These pathways have names: Claire Miranda Roberts’ Kangaroo Paw; Stephanie Powell’s Gentle Creatures.

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Flame Trees is on the radio

it’s the perfect night for driving. The stop signs are sha-la-la-ing at the curves of country highway – white lines beaming. Tankers blazing through country junctions, then nothing. This place, layers of pearly innards that make an ear to listen: …

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