The country looks at them just once: the dogs (notice iron rings
in their droopy ears) soiled and shaved
on the immobile palm of deep
breathing without exit door. The word PATHLESS rolls sideward
and then hits what
probably is a wall made up of water.
As if seconds are for drowning.
As if eyes are boiled clams that can’t open.
Say hmn.
Say human.
Say subhuman. That seismic circuit
for some life
wherein the essential parts are ruined, which is to tell
there are two Is in the word EXTINCTION.
I’m tired of doing love
only in private—that’s the first I,
randomly scratching the obscene
screen of television with motel key.
There are many long days when I imagine you
murdered in a movie,
pale and dead and unreal and I can still fuck you—that’s the other I,
sun-kissed and shirtless just like the first.
(notice XI XXIII MM tattooed along their spine)
They fuck for a long time, they see
you in each other, they have been fucking for a long time,
someday no dog of any kind will survive
in the country and they will still be fucking secretly.
When they were both laid
off from work
unpaid and saw it in the eyes of Brandon Lee that fucking
in front of a mirror was a ship
above great tides of fire, they fled
to the nearest motel, one after the other,
(notice the table looks
jabbed by its own swallowing
varnish, a world with torn-
rutted cities as its being)
and started the scene in front of a wall mirror.
(notice the plastic fruit basket is a lovely bungalow
if it is just its shadow)
One day last June—as every year in June—
gunshots dashed across
the archipelago to honor its independence.
Does it matter which man remembers the gunshots and wants to be free?
Does it matter which man is saying I cannot convince my self anymore,
I don’t know why we have to do this;—
Because with the mirror: four men sharing the same war
but no one among them is ready to die;—
That though they duck a story of slight survival, speaking
of how tragic slow death can be the haunted little life in it remains
shapeless, wretchedly there, more or less there.
How over the years things they meant have never birthed any surface,
no light
in the want for sunshine, no better country in the reflexive word HOME;—
That they have always seen the word and another roll back, crash,
and then immured.
(notice how the flight of their words is never to take the speaking
anywhere far)
To apologize to each other, that fantasy of ending in peace
they afford in surrender, and kiss once more—
and yes, they do so like in a dream,
but not as quicker as their senses turn into a pure obstacle;—
Does it matter which man knows they cannot help each other
by inconsequential fucking?
They sit tired and sweating on the floor for a long time, they have
been tired and sweating for a long time, they see
you (notice the old discolored doll that is a crucifix from afar
shouldn’t be there)
in each other, but better than any of you
they understand misery in sex.
When they were lanky boys they met
another who killed himself with a pen at school during lunch break,
twenty-some days since his late circumcision; he left
no note, which gave the living all the reasons to be uncertain.
Suspicious.
Quietly inconsolable.
To wonder all the time,
sometimes with a knife
tucked beneath the belt.
Not more than a week
after they wrote I will not pull my self out of my life
and laughed for saying it
is a promise to have a different ending.
When they were younger they didn’t know
hurt is sometimes felt only in the future.
And when the future is now in person
they say what was not written has stayed
true: person is a container for earth and spit,
I in the execrable excess.
- 115: SPACE
with A Sometimes
114: NO THEME 13
with J Toledo & C Tse
113: INVISIBLE WALLS
with A Walker & D Disney
112: TREAT
with T Dearborn
111: BABY
with S Deo & L Ferney
110: POP!
with Z Frost & B Jessen
109: NO THEME 12
with C Maling & N Rhook
108: DEDICATION
with L Patterson & L Garcia-Dolnik
107: LIMINAL
with B Li
106: OPEN
with C Lowe & J Langdon
105: NO THEME 11
with E Grills & E Stewart
104: KIN
with E Shiosaki
103: AMBLE
with E Gomez and S Gory
102: GAME
with R Green and J Maxwell
101: NO THEME 10
with J Kinsella and J Leanne
100: BROWNFACE
with W S Dunn
99: SINGAPORE
with J Ip and A Pang
97 & 98: PROPAGANDA
with M Breeze and S Groth
96: NO THEME IX
with M Gill and J Thayil
95: EARTH
with M Takolander
94: BAYT
with Z Hashem Beck
93: PEACH
with L Van, G Mouratidis, L Toong
92: NO THEME VIII
with C Gaskin
91: MONSTER
with N Curnow
90: AFRICAN DIASPORA
with S Umar
89: DOMESTIC
with N Harkin
88: TRANSQUEER
with S Barnes and Q Eades
87: DIFFICULT
with O Schwartz & H Isemonger
86: NO THEME VII
with L Gorton
85: PHILIPPINES
with Mookie L and S Lua
84: SUBURBIA
with L Brown and N O'Reilly
83: MATHEMATICS
with F Hile
82: LAND
with J Stuart and J Gibian
81: NEW CARIBBEAN
with V Lucien
80: NO THEME VI
with J Beveridge
57.1: EKPHRASTIC
with C Atherton and P Hetherington
57: CONFESSION
with K Glastonbury
56: EXPLODE
with D Disney
55.1: DALIT / INDIGENOUS
with M Chakraborty and K MacCarter
55: FUTURE MACHINES
with Bella Li
54: NO THEME V
with F Wright and O Sakr
53.0: THE END
with P Brown
52.0: TOIL
with C Jenkins
51.1: UMAMI
with L Davies and Lifted Brow
51.0: TRANSTASMAN
with B Cassidy
50.0: NO THEME IV
with J Tranter
49.1: A BRITISH / IRISH
with M Hall and S Seita
49.0: OBSOLETE
with T Ryan
48.1: CANADA
with K MacCarter and S Rhodes
48.0: CONSTRAINT
with C Wakeling
47.0: COLLABORATION
with L Armand and H Lambert
46.1: MELBOURNE
with M Farrell
46.0: NO THEME III
with F Plunkett
45.0: SILENCE
with J Owen
44.0: GONDWANALAND
with D Motion
43.1: PUMPKIN
with K MacCarter
43.0: MASQUE
with A Vickery
42.0: NO THEME II
with G Ryan
41.1: RATBAGGERY
with D Hose
41.0: TRANSPACIFIC
with J Rowe and M Nardone
40.1: INDONESIA
with K MacCarter
40.0: INTERLOCUTOR
with L Hart
39.1: GIBBERBIRD
with S Gory
39.0: JACKPOT!
with S Wagan Watson
38.0: SYDNEY
with A Lorange
37.1: NEBRASKA
with S Whalen
37.0: NO THEME!
with A Wearne
36.0: ELECTRONICA
with J Jones