Each week the headmaster’s wife
darns us into her web of chairs: a design
to mirror the range of her eyes.
She is austere, and caught in the snare
of her husband’s alarm-clock life,
she ticks us off
when our stitches don’t mend her morning.
The fabric is too big for childish hands,
and the needle too small to fit my desire
to quit this room with its young girl giggles
and smell of teacher’s perfume.
She has given me too hard a task:
the needling of a cloth
to make a pattern
for a life I can’t conceive.
But, we are her debutantes on our way
to womanhood, so she stoically treads her path
by fidgeting feet and sew-spastic fingers.
Cotton eyes the needle greedily
pushing through the vacancy
like a cat through its flap to a freeing sunrise.
Needle-threading is much like tying shoelaces;
poking an ant nest with a stick;
or riding a broom-proud steed
through a small gap in the fence to a wood ―
hanging there, the thread is secure as the tie
on the legs of a store-bought chook.
While other busier fingers
brook the challenge of Mrs N’s stare,
my mind wanders to methods of escape.
Bending slowly, head inching over genuflecting knees,
I undo a shoelace.
It’s the start of an idea.
Knots! Knots! and more knots!
So the dangling thread becomes a hangman’s noose;
a yachtsman’s ropey artistry; the tangle of fishing line
in the hands of a tyro on holiday.
Excuse me, please, I have a knot!
It’s one deserving of a prize.
I try not to smile.
I try not to look proud.
She sighs, releases me from the torture-tool of linen
and starts unpicking my knotted herd.
It takes a while.
Knots can be tricky
knots can be hard to tie, unseen,
and she is soon on my third.
I am nine
and the clock tells me it’s eleven.
Bridging the gap from youth to freedom
is High School and The Treadle.
In these mechanised rows knots are irrelevant.
Each machine wakes its latent industry
by the cradling of a bobbin.
We are given one to keep
so mine will live in a drawer
It will never meet the Singer, or seam its voice
to the room’s robotic choir.
I am proud I will never sew a stitch
on that maternalising denier of youth.
I am told that next term I will study nutrition;
learn how to cook and how to clean a kitchen.
They are unpicking my world
and sewing me into their fabricated fiction.
I am twelve
and being primed for motherhood.
- FREE: 20 Poets anthology
- 93: PEACHSUBMIT to L Van, G Mouratidis, L Toong 92: NO THEME VIIICOMING SOON with C Gaskin 91: MONSTERwith N Curnow 90: AFRO AUSTRALIANwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones
- Introduction to Zenobia Frost’s After the Demolition
- Phillip Hall Reviews Robert Harris’s The Gang of One: Selected Poems
- Adam Ford Reviews Rae White’s Milk Teeth and Anders Villani’s Aril Wire
- Jennifer Mackenzie Reviews Elif Sezen’s A little book of unspoken history
- Introduction to Charmaine Papertalk Green’s Nganajungu Yagu
- Brigid Magner Reviews Michele Leggott’s Vanishing Points and Elizabeth Smither’s Night Horse
- Jack Kelly Reviews Liam Ferney’s Hot Take
- Submission to Cordite 93: PEACH
- Introduction to Cordite 91: MONSTER
- Poetry, Whatsoever: Blake, Blau DuPlessis, and an Expansive Definition of the Poem
- On Being Sanguine: Two Years of Panic and a Response to Terror in Christchurch
- A Deaf Rough Trade: Defending Poetry to ‘regular people’
- 12 Panels by Chris Gooch
- 5 Translated Yosuke Tanaka Poems
- A Buzz in the Retina: On Translating Luljeta Lleshanaku
- ‘That is some crafty bite’: Trisha Pender Interviews Melinda Bufton
- ‘You’re never disembodied from the action’: Dylan Frusher Interviews Judith Beveridge
- Excerpts from Neon Daze
- Chorography and Toute-eau in the Waters of Lower Murray Country
- 6 Poems from Robin M Eames
- Aussi / Or: Un Coup de dés and Mistranslation in the Antipodes
- Every other Friday
- I Still Love Without My Head
- Heath Ledger’s Joker
- Only fair