in arid cities we have read as syntax flooded streets while the light falls, heavy as the shadow of a hoop; in darkness we are left as the shadows of our meat and our lives drift in, and out, in perpetual loop. paraphrased stet Melways 2B – unshakespearean but will’d most cheerfully as she walks across the the torn squares of the map eating the remainder as she strives to keep the site secret even from her self as a thought unadmitted to consciousness, lest the thought result in self fulfillment, she regains the frayed edges of her purpose into a tormented bouquet; tormentil and orange blossom would not reek so well as flowers picked from woodland sun pied where strayed from the path. Cairn not for the unrepentant appetite, I remain lost in the floods grasping at the rhimed slicked canyoned walls, travelogued by her desire. her roaming, relentless, restless, dancing, bruised and bleeding weary feet pound the streets with the rhythm of her heart beat as if she was really Jesus on a tiny trip. Must leave the urge to die in unchartered hope – itself a collaboration of demons – that swims away, clothes left on the shore, 1 sock eternally missing, 1 clock eternally ticking away away away we go on the wave, in the wave, of the wave little fishes taught to feed opportunistically while the film of the world swims at our eyes and burns and lies, like a lullaby assiduously arranging the photographs of possible locations for use in a number of scenes, as yet unimagined by a sleeping committee of directors bottom feeders all their limited perspective undiminished
in arid cities we have read as syntax flooded streets
14 December 2009