Sydney Poem

By | 1 September 2024

I.

With the release of his hoof from the pitted step
crushed frangipani petals spring,
wet with perfume, to broken pyramids,
stained-glass rubble.
He gangles his way down the steps,
vast rounded thighs shifting like drunk
whales courting. The fawn blinks in the new century
and he casts his leer out to Middle Harbour
where he heard you were out in the sun,
dear companion,
roaming this joyous city of the dead.

II.

I almost broke my neck
hopping down the steps at Potts Point
because I heard you were floating,
wide-eyed and tendons sliced, past Goat Island and out
to the humpback bridge
to the pearly xenomorph of sharpened curves
past the galleries where every piece of painted plywood
both adopts and subverts the
iconography of power
to interrogate the nexus
of capital and the state
(if they didn’t, would we survive the shock?)
and poets mutter under their breath
on the light rail:
things looked bland.

III.

Lines rise to the surface like bodies
washing up at the Gap and like bodies
washing up at the Gap most of them aren’t mine:
RATS IN PARADISE
shriek the gorgeous new apartments shitting
on the earlier bird’s views. There’s a bit of everything
poured into these steel
and watery glitters. Joe Lynch decanted himself in 1927
not – as Brennan lamented – onto a cranium
but into a poem. Shaking his massive legs in the sun
he clops down Writers Walk, too huge,
too wrong, stumbling over
one of AD Hope’s chiselled iambs.
Lunch is drunk in that Sydney way
of investment bankers at the Quay,
sluicing their misgivings out to sea
to boil up as clouds and piss
back down on you and me.

IV.

Emerging
from the Opera House underpass for a second
everything is just what we were promised:
fistfuls of sudden sunlight knock out
your vision, glory in the skies,
a faint smell of sewerage
and shirts brighter than a song.
For a second it’s goodbye,
as the sun fills your mouth
and you spin out by the crushed light
of the Heads,
singing to the glass sky.

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