Lesson One Manifesto
I am looking out. I am stretching out. I am doing what I am told. I am
told to find my tribe. I am calling out. Where are you tribe? I have
tucked my hair away, I have let it grow. I have pinned it back. I have
shaved it close. I have died it platinum blonde. I have died it black. I
have worn cheap shoes, and ‘stay on’ red lipstick. I have pointed my
toes and I have sucked in my gut. I have said I do in a size eight
dress. It was called the Audrey Hepburn. I have softened my voice. I
have listened. I really have. I have worn plaid shirts and Blundstone
boots. I have stretched. I have held poses for three, five and seven
minutes. I have pointed to what I want. I have flown. I have fallen. I
have bruised my neck. I have sat on tables and laps. I have bent
down – you know it! I have looked up. I have cowered. I have lay
crucified and sliced. I have turned towards her and her and her. I
have asked. I have bled and recovered. I have sneered and wailed. I
have read your diary. I have remembered the words but not the
story. I have smirked and said no. I have cried out – let’s go girls. I
have rubbed my feet and picked purple polish from my nails. I have
tossed it to the carpet.I have watched myself from an angle. From a corner. I have decided.
Lesson Two Character
I sit on the bed and put my suit on in front of the mirror. I see my body
as the body, or as only a body. Pushing through water as if being born.
Even at birth the soft rolls of my belly were protecting scars. Joan
Didion wrote, ‘I think we are well advised to keep on nodding terms
with the people we used to be.’I am like I am just born. Like I was just born swimming all along.
In Francois Ozon’s, The Swimming Pool the pool is a character. On the
afternoon of her arrival, Charlotte Rampling smiles at the pool and then
turns away. She warms her face in the sun. The next day she walks
towards the pool, bends down, and pulls away the thick plastic cover.
The water is leafy, murky, blue. It can be all three.The daughter arrives and swims naked. She swims the length of the
pool underwater, not touching the leaves, the murkiness, or the thick
plastic cover. Touching the blue.I am a water dweller. I wear my glasses in the pool. Who am I to be
serious enough to have prescription googles? I go to the pool, but I
do not know how to swim.
Lesson Three Attunement
Contained in a rectangle box, a pool is always blue. It couldn’t always be
blue they will say, but it is, it was. Move slow. Across and then across
again. When you were a child, you swam at night and not only in a
rectangle box. There was a time it was in a kidney box. A kid contained
in a blue kidney box. A kidney removes waste and provides the body a
healthy balance of water and salts. When you were a child no one had a
saltwater pool. A pool is not the ocean they thought. They were wrong.
But it is not wrong that the human body is sixty per cent water. When
you were a child, your father threw you into a pool. He stood on a
wobbly ladder holding you. Go swim, he yelled. At the bottom you
looked up and saw the white glow of your mother’s hat. She wore it
always with one hand on her head, holding it in place.
Lesson Four Free Time
Do not attempt freestyle.Did my half swim, half walk laps today. In the slow lane were two
women wearing snorkels. I thought of the word gliding. When I left the
pool, I was angry that no one had ever taught me to swim. I was only
taught to tread water. Only to stay afloat.Joan Didion knew the point of her notebook. She didn’t think she had
an instinct for reality. She instead told lies. She wrote the how of things,
how it felt to her. And it was a truth.I saw a girl on the beach with long brown hair. Her hair that had once
been tied up tight (this morning?) was loose and messy. Her face a
grimace at the sand and sun. She stuck her tummy out like an actor told
to stick their tummy out. A squint.There are no laps in the ocean so I tread water. I ride a bike in the water
like I was taught. I count and do one hundred pedals.
Lesson Five Memory
Crossing your legs won’t help. Not for the swim. Not for the flow. Not
for the getting on and off. What do you need help with anyway? Your
cap, your straps, your sun cream application. Here there is a good
glaring blue. A lightness. The sun is safe here. This morning, he brought
a large tray to your bed. Your bed is a mattress on the floor. The floor is
all peachy tiles, cool to the touch. The walls are white stucco. The thick
sliding doors have wooden frames. He leaves them open at night. There
are no mosquitos here, no bugs on the floor crawling over your feet. On
the tray is filtered black coffee, fresh orange juice, brioche, butter and
jam. Some say this is cliche. Some say it is memory. He hands you the
book you are reading. It is What I Loved, by Siri Hustvedt.
You begin where you left off, when you ‘noticed the darkness that fell
over her belly and thighs.’ (page unknown)
Lesson Six Graduation
Before my trip to the women’s swim night, I read a story about a Polish
swimming pool. Inspired, I eat half a tomato, pickle, and cheese
sandwich. I save the rest for my return. I don’t want to get a cramp.At the pool I walk freely. I do not wrap my towel around my waist or
chest. In the water my heavy body is easy to push along. With each
stroke my arms open a red velvet curtain, night after night, stroke after
stroke. Mothers pass babies to daughters and sisters. Women swim in leggings,
long sleeves, dresses, skirts. No one is wearing a bikini. The fast lane is
empty. Groups of women in the aqua play area chat. Laughs and
bobbing heads. It’s seven pm on a Sunday.A melody of chatter echoes in the steam room. I show the most skin.
Thighs, arms, chest. A woman wears a navy two-piece suit and black
rubber sandals. On her sleeves are frills. A rah-rah swim shirt. Her cap is
sequined, sparkling wet. Around her neck are thick gold chains. The wet
skin I see is her face, hands, and feet. I want to be included in the chat.
In her melody. Ask me a question. I want.
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