No. 5

1 August 2018

A.
nathos, althos, ardan
crept willow aches the soil
*
whose names are these
(whose hands)
now kino stains the trunk
your brothers slipjoint gleaned
when we were younger

grasps age cinders
become
sequence without object
and mothlight bracks the edges
of motion in

carnations clove
double
suss the tatted palm tree cheiro
bruised knuckles feed cunts
eating play-doh

hachures collect
contours out of date
chainlink hatches light
within so without
thought (lines clade thus)

menthol cracks again yawks from a
merc
do not go gentle
as the moon indels
its image is

always riddled through reaction
rue
for the visual nerve
two three pregabalin
to relax

i guess there was more to it than
that
felled limn that lyric displaced
along creeks swerve
by this yearned

for pining i have learned bijol
dyes the morning
(occupying
erasure so
lines distrail

under flight paths) past figured youse material
of my sole worn
in places how
locus stems

aspect descends in colours asked not to be named
anaphor leaf
nodes kin to trees both
senses

inseperable as the whorls in greased fingertips
tapped eucalypt turps blind
preserves (thins)
the would

in amber sets each sun the great western highways enjambment
overrun
parra grass
harrowed

cortege to pinegrove (will gestured wisps the streetlights through them) still
far windshears
beat catena
for

you the draughts cohere lucida these plains border immanence
replica (orchid
and the
wasp)

what culm measures are buried here weather bore (dendrite fossils / window frost
daylight
breaking
through

warms) rim articulated stick spoke skrt out the cul-de-sac telegraph
poles (the
copula)

aspire tns hanged from the wire approach birds at these distances
we swallow (boot)
the

herron blue without water crowd touched crwth the lyre crows youse spelt what indifference
broods
chord

dissonance resolved tense holds the sirens too late whose names are these whose hands now kino
stains the

(coral pea larra ilma hillcrest jasmine greystanes marion equity constance eddy)

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