A.
nathos, althos, ardan
crept willow aches the soil
*
whose names are these
(whose hands)
now kino stains the trunk
your brothers slipjoint gleaned
when we were youngergrasps age cinders
become
sequence without object
and mothlight bracks the edges
of motion incarnations clove
double
suss the tatted palm tree cheiro
bruised knuckles feed cunts
eating play-dohhachures collect
contours out of date
chainlink hatches light
within so without
thought (lines clade thus)menthol cracks again yawks from a
merc
do not go gentle
as the moon indels
its image isalways riddled through reaction
rue
for the visual nerve
two three pregabalin
to relaxi guess there was more to it than
that
felled limn that lyric displaced
along creeks swerve
by this yearnedfor pining i have learned bijol
dyes the morning
(occupying
erasure so
lines distrailunder flight paths) past figured youse material
of my sole worn
in places how
locus stemsaspect descends in colours asked not to be named
anaphor leaf
nodes kin to trees both
sensesinseperable as the whorls in greased fingertips
tapped eucalypt turps blind
preserves (thins)
the wouldin amber sets each sun the great western highways enjambment
overrun
parra grass
harrowedcortege to pinegrove (will gestured wisps the streetlights through them) still
far windshears
beat catena
foryou the draughts cohere lucida these plains border immanence
replica (orchid
and the
wasp)what culm measures are buried here weather bore (dendrite fossils / window frost
daylight
breaking
throughwarms) rim articulated stick spoke skrt out the cul-de-sac telegraph
poles (the
copula)aspire tns hanged from the wire approach birds at these distances
we swallow (boot)
theherron blue without water crowd touched crwth the lyre crows youse spelt what indifference
broods
chorddissonance resolved tense holds the sirens too late whose names are these whose hands now kino
stains the(coral pea larra ilma hillcrest jasmine greystanes marion equity constance eddy)
- FREE: 20 Poets anthology
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