i married you on the trampoline when i was seven, but we met at twelve and this is just a painting

By | 11 May 2026
Ekphrasis piece responding to Nadine Christensen “South” (2003) Acrylic on board with cedar stretcher 35.5 x 45.5cm


i still see it telephone wire iv cut off from all others and close to death
baby pink baby rattle ghost of little girl’s giggle we dance across the halls
waves of gravel test the foundations (stony seafoam) of our abandoned home

i still see you you nobody through the no-door entrance wound (oxygen kissed
mouth) i still remember cheapest necklace you could find wearing moss
like residue after all this time rust on a chain lost in a box of birthday cards

i am nothing but an observer the air that whines through what was once a window
even back then all i did was watch through the glass the earth spin on
the birds’ birth the blue speckled eggs above the doorframe you nearly stopped it

almost crushed it in your infant fist when we saw the framed memory (bite of lies)
crunch of bones on the lawn unearthed by the ocean storm and twigs snapped under
bare feet on the evergreen hill we survived it all but now you want to leave

“it’s only canvas” your response to my blame eyes roll down the glassy slope
echoed steps of other patrons you won’t remember with me our false beginning
you move onwards i barrel backwards time spent in the overgrown yard

you never lived there i can’t see it anymore those years spent parallel in suburbia
shoved in other bodies a trip to the gallery you are tired of my goose chases
through imagined tales i can still feel your protest pulsing through the paint

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