a collection of words
Anne Waldman typed
into the Poetry Project New Year Marathon
livestream chatsupport the
tentacular Poetry Project and keep the elections
of Warnock
& Ossoff in your psychethese days, poet power change the
frequency
ditto activity de-
mon John thank you “dreamer
as artist shaper
knower” Lewis!
“moving through Air”
mow [sic!]…. learning to type
all over again
through tearssomeone responds oh Anne I can
only imagine &
Brian Blanchfield says Lew-is Warsh
= stimulus checkJ speaks in the last hour
and tells the internet &
Anne Waldman I hope about
the time we walked
down Flatbush Ave and
I was mad in the rainno trains no
buses just walking and he
called it glass on the ground
and he said I yelled
and I guess I did not like thismorning when I didn’t say
anything until
three o’clock
and spent a long time rearranging
the magnetic poetry
on the refrigeratorI am watching All the Vermeers
in New York and eating
scrambled eggslike I might pretend
it was all a deliberate act a decision
to push onwards to a topography
less familiar thanthis poem
another poem
another
another poem small structuresthat
stood
on the page
until yours flickered
and dancedit jolted
me and made me think
without
too much thought I
press buttons into the web chatthe ones that click in
and save Anne Waldman’s words so
I can come back to them laterand create
some kind of pale
nexusat a birthday party I try to describe
my approach to Hinge
I just look at them I say and say noG is a therapist and able
to look me in the eyes
he did such a number on you
she says and then goes to find a beer
to cure a headachein the second series of Planet Earth
a heat camera follows
a tiger
in a Mumbai park at nightmen walk along the path
and the tiger attacks and kills a pigletI text snapshots
of caterpillars
eating lemon leaves
to you or whoever is trackingthe flight paths of smoke and
bearing witness
to the Bureau of Meteorologya man sits on a boat
in the harbour
and I am reminded
of my uncle’s old bull Boss
huge and heavy breathing
as he swayed between the heifershis hundred children
learning to walk through
the afternoon light to
the time where the hooves fly into
the punctum that life isgood and good for you
taste the warmth the vibes a climax
same network same time
it has not been such a long time between vibrationsI am so bored by
what has happened I can’t
stop telling people about itI walk into Vinnies
with an idea
of buying a Bibleand walk out
with Murray Bail’s Eucalyptusboth work for me
I would like to know what HGwas reading
around the time
she went berserk
and stabbed a pen into X the painter’s
mother’s hatevery morning
a daughter in a high school
dress gets on the 418 bus
semi-accompanied
by an alternating parent
in city clothes
who sits at the frontwhile she curls up
under headphones in a seat at the backshe has seen me get pulled
off the bus by ticket inspectors
there is a part
of me that wants to tell her don’tworry I talked my way out of it be proud
of me impressed by the way I handle myself* I am having an HG summer *
I shrilly text my sisterlying on the concrete
at Ashfield pool and
paraphrasing
‘graceful easy kilometre’
from somewhere
in the diaries
all these European artists
all these bolshy Australian wivesmaybe the problem is that I don’t know
how to sling an easy arm around a persona couple kiss at a bus shelter near
Burwood Road I am lucky
to work in the #1 neighbourhood
in the city
where yellow signs
welcome home AC/DC anda little girl calls me morning-tea-look
a phrase I say to her daily
and which has now become my nameher name a four-syllable reference
to the canoe journey
of the first Māori
mine joy
at the sight of biscuits I have
fantasies about seeing the dog
slow-motion visualsof him running towards me other times
he is waiting for me at the front doorhe has remembered where I live now
and has come to me
dry heaving in the backyardI cannot bear to tell my sister
/ I am doing well /
/ my body did not ovulate this month /
I have washed the fragments of Malabar
abalone shells three separate times
letting them dry out the back
then out the front
and finally on my
windowsill
where their moss chips away in the sun
HG would hate this
who the hell wants a life like mine?
I go walking without the dog
am appalled by the quickness of it
the way in which I reach places when I say I will
the OT talks through parallel play
as the little girl attaches rubber bands
to gridded nails while the others build a
Magnatile house beside her
MB’s book is a mission a slog
of ideas about river women daughters
incessant droning about botanical names
I walk back into Vinnies and find a Gideons Bible a passage
that states that a man who divorces a woman must not marry
her again for she has been defiledin the new house
maybe the problem is I have
not published an essaytwo girls sit at the Marion light rail station energetically pulling
items out of paper Sportsgirl shopping bags to show the other I think
my whole day is worth it because of this
when I want to lie down and cry at work I think
about how I will write a story about it when I quit and I will
write it funny and win like Nora Ephron how many
times can someone text good luck with the book before it feels like a hex
when I was
twenty-one
abortion
was not decriminalisedin Queensland I laid in bed I laid in bed
googling protest frequencies googling protest frequencies
and generic costingsof procedures HG goes
to her analyst
about her twoand holds
an expensive silk scarf
to her face
walking up the hill
to the high street
I do not put my earphones
in until I have listenedfor the wattlebird and
whoever is at the
blockade outside
what was the Prime Minister’s
office until he said
it was their fault
he had to move
I set up a selection
of ceramic houses on the buffet
by the dining table
at night when I light candles
inside them my housemates
make comforting noises the village is awakeI am not invited
to the HG symposium
because I have given up
on being around writers
and also I am not oneand also I don’t really
introduce myself
she has no idea
what kind of shoes I am wearing
probably boots or sandals my feet
mugging hers
in the Spanish wheatfields
a woman who we extravagantly
and behind her back
call Barcelona bruja catches up to us
she reads our tarot cards
at an outside table under a tree
looks me dead in the eyes
and says it will end soon
trying to march
across the Harbour Bridge
in bursting rain
I see a five-year-old Syrian girl
from work standing
on a barricade and holding a flag
this week her word is ‘cake’
sometimes every year watching the
marathon pretending I still live theredon’t live there am in a collapsing fibro shack
hotspotting a livestream
J’s poem is good he
looks trembly and worthy of worry
or at least a text chain
love the bit in the essay he wrote about us
where he remembers his charley horse
my instructions on how
to stretch it out
sitting side by side M and I say
we are not going to get too into it and soon we are almost crying
microplastics having babies the 100 proof evil
of turning communities against each other
not caring if they take our data because what will they steal
apart from four hundred dollars
and the regularity with which
our uterine lining leaves our bodies our lives our lives our lives
it is January 26th &
I have gotten pretty good
at remembering my dreams
last night I was in a large house
with a big kitchenthat had to be closed
down like a shift before you could move
into the lounge room huge windows
and doorsopening onto a balcony
opening onto a beach someone hadpicked flowers big multiheaded red
things with dark green glossy leaves
and put them in vases
throughout the housethe flowers
drop black seeds around the vases
and I know more than everyone elsethat this means animals will come flocking
and crazed to the house they do bombarding
the windows of the lounge room breaking
them off their frames and launching around the wallsowls bats feral cats something in between
in the kitchen I am safe because
I have put on a film The Secret of Roan Inish
no one else wanted to watch it so a blockbusteris on in the next room am I sulking ?
hiding in the kitchen and missingout on the action
as I sweep
up the black seeds from beneath
my bunch of flowersscatter them
on the beach outside and return
to announce that this room is safeno one comes to join me
I have gotten pretty goodat checking my phone
as soon as I wake up
and soon I am googling portaledge
and the likelihood of one fallingdown the cliff face the internet
says that even with portaledge failurethe climber is still
clipped in to the rock
how deep do these bolts
go when are they checked how earlyis too early to think about
what I would do if I was there
well now I am watching
climbing videos and hear
the scream of a woman
as she falls
in the long dark naturally
this is all becausethe man climbed the building
yesterday one of the women
commentators now the scream
I know so well I have had somesort of sinus thing for
weeks now metres of green and yellowgunk pouring out of my face
and tooth pain that I didn’t know
was part of the deal every morninga sort of gasping awake
turning
until my mouth can feed my brain
drinkingsomething to wet my throat sitting
up until the snot is ready to leaveand the pressure at the front of my
skull goes down a bit I am not an outfor dinner person right now don’t put me
in a place where I can’t regularly leave stand
outside use tissue aftertissue to make it possible to talk again
I remember
a similar feeling champagne
problems when my wire retainer detached
from my lateral incisor
and flapped in my mouththe generations are slipping I can’t afford the dentist
like the teen dental plan used to and so for monthsspoke with a lisp my tongue catching
on the wad of glue and wire and eventually stopped
talking altogether I remember tryingto accept—
walking up to the stage
with my tongue bending the wireto the roof of my mouth
hoping
it would not drop
in the middle of me saying
thank you this is very nice standing in the kitchenoscillating between tea and coffee
except coffee does this sort of thing
where it makes me want to faint L says
please get that checked out
but also M saidwe can get a treat coffee before the march
so I’ll save all of that for that outside
in the yard
the fairy lights are draggingand I wind them up click them back
into themselves the solar panel feeblybleeping after days
in the sun and my togs
on the bricks
metres away
from the chair
I put them on it is windyand grey the sun watchable
behind a thick film of cloud I like standing out herein my nightdress planting my feet
outside my hiplines a cup of tealike a shell in my hand
if you stand on a chair you can seemy favourite tree
eating a yard down the lanewaywhen I give tours of the house
come and see the new place I end with the tree
pulling two chairs out
from the table
and linking up
with the guest to see the viewright now the yard
full of compacted cardboard boxes
plastic cartons of beer cans
an extra washing machine
booked to be dumpednext Friday in lieu of the replacement
a swishy LG dropped off
by a man named Jezwho called me sweetcakes
M and I flower power girls
for offering to help in our bare feet
and his previous client’s wife a bitch
for not liking the fridge he found themyouse can have a whole year
warranty though he says
he did a number
on us obviously
the thing he called
a King’s Cross model is done up like a blousethe rubber seal glittering
with a layer of silver spray paint
that slowly erodes with the loads
to smile teeth of blossoming black moulda few days later the fridge starts to go
and I try praying
don’t make us have to call Jezagain come on
fridge and it works the freezer
starts talking
and the milk does not get chunkyI walk
back up the hall with my cup
the lounge room built
with the attitude of a terrace houseis dark for the daylight hours
until we turn the lights on
finally outsidewe are talking about All Fours
after buying a coffee in a café
where a man dressed
entirely in Australian flags
was eating eggs
his little bucket hat
pushed back off his face
for focus
it turns out Miranda July
is too sexy
for some peoplemeanwhile M and I
bawl
on Sydenham Roadanti anti
tampon scene
when I’ve coached a diva cupinstead I say I love the passage
that describes each moment as immaculate
an unwillingness to leave any scene
washing dishes sex
sitting on the bus why walk
into the next one when we have all this herewhy move into the next scene
an English couple
looking bemused
on Elizabeth Street
asking someone
in overalls to explainwhy people would be so upset about a day
who could be against a day
the sun gloriously rising and settingwith or without cloud
the median daily deaths
in the world dependent
on the breaths and proclivities
of the people in charge of the explosions
the aid blockages the thankful ineptitude
to successfully detonate a ball bearing bomb
or walk without slipping
across slick Minnesotan iceat Central Station a man
runs into the crowd his blue flag cape blaringlying on the grass in
front of the Yabun stage
covered in gozleme oil G uses her Jungian knowledge
to analyse my dream the animals
are your base desires she says you’re nervous you will lose
them while you aren’t dating anyone
should I date someone I say no she says
and we walk to drink a beerat the Marrickville library
two pigeons briefly mate
outside the window the cock
rushing the hen on the well-designed
public seatingwhen finished he jumps
to the floor and walks around to the café
while she sits hunched and quiet
on the concrete benchin the toilets at the Vic two girls
bemoan a situation I have
a body count of 5
one says why would he call me a slut
in the next cubicleI have decided to say yes to life
or at least Hinge
and now I am listing
my Letterboxd top 4
with an unnatural glee
who am I a PhD wet nurseor a person with real furniture
and a refusal to fall in love
with another sessional academicL texts saying quick
send me a poetry recommendation
to give to A I say don’t do it or Midwinter Day
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- 120: DIALOGUEwith E Chong 119: FITwith E Collyer 118: PRECARIOUSwith A Jackson 117: NO THEME 14with A Creece 116: REMEMBERwith M Sahhar and A Te Whiu 115: SPACEwith A Sometimes 114: NO THEME 13with J Toledo & C Tse 113: INVISIBLE WALLSwith A Walker & D Disney 112: TREATwith T Dearborn 111: BABYwith S Deo & L Ferney 110: POP!with Z Frost & B Jessen 109: NO THEME 12with C Maling & N Rhook 108: DEDICATIONwith L Patterson & L Garcia-Dolnik 107: LIMINALwith B Li 106: OPENwith C Lowe & J Langdon 105: NO THEME 11with E Grills & E Stewart 104: KINwith E Shiosaki 103: AMBLEwith E Gomez and S Gory 102: GAMEwith R Green and J Maxwell 101: NO THEME 10with J Kinsella and J Leanne 100: BROWNFACE with W S Dunn 99: SINGAPOREwith J Ip and A Pang 97 & 98: PROPAGANDAwith M Breeze and S Groth 96: NO THEME IXwith M Gill and J Thayil 95: EARTHwith M Takolander 94: BAYTwith Z Hashem Beck 93: PEACHwith L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRICAN DIASPORAwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones