the mo of Salvador Dali or Mona Lisa
a whole raft of Medusas
Francis Bacon's raw hams; popes as orang-outangs
viz de Chirico's dummies; 200 Andy's soup cans
& assembly-line Marilyns (acidic on acrylic?)
David Hockney's cheeks in cool L.A. chic
the urinary tract of Marcel Duchamp (in trad. of Pissarro?)
Bridget Riley's ops: intestines & colons (semi-optic=semiotics?]
Henry Moore's navel manoeuvres (or caves of armpits!)
an Eiffel of Delaunay // Voyeurisme: French verb ?´lorgner', to make eyes at
feet of Klee
balls by Picasso ?± is this a clich?à?; this is a clich?à; a clich?à', this is ?± so cut!
balls by Braque
bulls cum bike saddles by Picasso (Pablo = bull artist?)
spermatozoa from Miro (cut that out?!)
decoupages & gouaches of Matisse
Dali's clocks runny as organic Gaudi (Surrealism runs rampant on Ramblas!)
Monet's haystacks, lilies, caths like molten ice cream (Rouen in ruins)
Munch's Madonnas/Liliths, sickrooms ?± i scream!
Mont Ste Victoire, apples/peaches of Cezanne
bathers (viz Seurat, Picasso et al), bouteilles de vin (viz almost anyone)
masks: African bush ranging to Ned Kelly's armour ?± Nolanscape = Pollock
Meret Oppenheimer's Dinner in Fur (art as meal ticket)
cypresses ?± mere trees pre-Vincent
Toulouse-Lautrec's follies @ Moulin Rouge, clay pipe, absinthe
Magritte's fey pipe
is not a pipe but a pigment of the imagination
N.B. trompe l'oeil = EYE ?± CON
Fleur du Malley, scion of a hapless aristocratic ?àmigr?à family from the Mallais who exchanged the Jacobin Terror for the Australian Terra, squatted in the backwoods of the Victorian frontier. Inspired by the local treescape, she australianised her name. Then under the tutelage of her showman beau, M. de Laire, Fleur flourished in the bush, to soon become the enfant terrible of Australo-French Letters.
