I:
[T]HEY
SAY:
what date
it’s changed to
so they leave
their celebration
of national pride
on the genocidal
jubilee of colonisation
{ {Drinks and Drugs and Sports, Oh My} }
~~~ ~~~ ~~~ ~~~ ~~~ ~~~
maiden voyage voyeuristic vulgarity violence murmuring
despite it all
We’re still here.
It drives them
fuckin’ googoobananas.
All they want is for us
to go away.
Who is them?
Ain’t that always the question?
II:
the black-tie arrival of the finance bro shadows over common decency while little Jaime Weiner asks Grok to undress a woman he barely knows.
she’s shy and reserved and no one has seen her naked since being seen naked became an adult activity attached to an appetite for arousal.
he sells crypto or insurance or something else deemed valuable while valueless for a living and complains about artists not wanting his AI investments to mow out the meagre monetary remittance they receive for the blood and stress and heart they donate to each project.
the project exists in spite of itself – a work of passion pressured by penurious pennypinchers to be something it does not want to be but has to in means to justify its spiteful existence.
existence diluted to the all-mighty dollar and dolls doled digitally for the finger-lickin’ greed unchecked demanding everything they desire undeserved but declared by their birthright.
a birthright written in unclear legalese leased to the lucky few by intelligent bootlickers lusting for the lasciviousness lawn on the soul of their boot – lunacy maybe but they work in harmony, securing the status to stale the quo.
the status quo is broken . . . it has been for . . . the longest time
whooooooooooaaaa oh oooooooohhhhhhh
look at them in their glass towers
looking down at us with a smug
look on their face hoping we don’t
realise that their towers appear fragile through
real eyes locked tight on a grotesque underbelly of
real lies told to hold us in place.
{somethingsomethingmeme}
all so they can ask Grok to show them our private parts.
III:
childhood nights tucked in Goosebumps
R.L. Stine told stories stained to my soul
scary yet tepid to the world we live in now.
in lockdown i escaped into the ethos of
Steven Universe, relishing in lavish
declarations of kindness as the core
of any welcoming community and yet
our overarching society deems it
weakness to love thy neighbour.
my neighbour Kaine
called me to the balcony
every evening after school to grill
my knowledge of Professional Wrestling
and Pokémon, excited he could utilise my
obsessive hyperfixations in a way that made him
look smarter to the kids in his grade who saw
ridiculous childish things as the currency
to their own personal hierarchy.
now it’s only numbers
on an imaginary account
that dictate our social
standings in a world that I wonce
saw myself as a winner inside.
the economy doesn’t exist,
money isn’t real and your job
is meaningless in the long run.
the fact we forge meaning
on the meaningless is an adept
failure on our standing as
the planet’s smartest
smartest smartest
smartest what though for real?
all we need is a fire and a storyteller.
IIII VI IV? FOUR:
so many pee-poll are unhappy / / crappy / / snappy / / sad
but life goes on {when will it shup ut!?}
and peep-oil don’t complain / / restrain / / dickbrain / / do—nuthin’
it’s just how it is [can we maki et knot!?]
hand eye sup pose {Ginyu Force} that’s why we’re in discord.
you meant the chat app? There’s a chat app?
AhWellEyeDontFuckinNoThenButEyeAintDownloadinNeMoreDamAppsKayByeThen.