CONTRIBUTORS

Kate Just

Kate Just is a queer, feminist artist of Polish, Irish, German and Scottish descent (born USA, migrated to Australia 1996) best known for her inventive and political use of knitting. In addition to her solo practice, Just often works socially and collaboratively within communities to create large scale, public or textile-based art projects that tackle significant social issues including gender-based violence, reproductive freedom, LGBTQIA rights and political protest. Kate Just holds a PhD in Sculpture (Monash University), an MA (RMIT), and a BFA from University of Melbourne, where she is a Senior Lecturer in Art. She has exhibited extensively across Australia including at the NGA, ACCA, Heide, Gertrude Contemporary and CCP. Internationally she has exhibited at AIR Gallery (New York, USA), ICA (Richmond, Virginia, USA), the Rijswijk Museum (the Netherlands), Auckland Art Fair (NZ), Kunsthalle Krems (Austria), Sanskriti Gallery (India), Youkobo Artspace (Japan), Contextile Biennale (Portugal) and SUWON Museum of Art (South Korea). Just’s work is held in collections nationally and internationally including Just's work is held in public and private collections including the National Gallery of Victoria, the National Gallery of Australia, Artbank, the Art Gallery of South Australia, the City of Port Phillip, Wangaratta Art Gallery, Textile Art Museum of Australia (TAMA), The Sheila Foundation and Proclaim Management Collection. Kate Just is represented by Hugo Michell Gallery in Adelaide.

13 artworks by Kate Just

Kate Just’s new series, A Sign of the Times, is new series of complex hand knitted homages to potent text-based, political, public signs by other artists that continue to resonate in our current political and social climate. The series expands upon her approach in past works such as Feminist Fan and Protest Signs, in which the artist deployed knitting to re-materialise and pay homage to significant historical queer/feminist artworks and protest texts, and affirm their position in the canon of art history.

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