I wanted to know how to live I learn how they teach me I make nots and knots and notes now how to how to be I have to learn now how to be on properly howto do lesson number one I have to teach me from start to end how to be and how to be really I have a new little girl to teach me miss franca miss simone and miss shanti they teach me how to be like I’d like to be just tell me how to be and how I like to be there was always someone else in me that I didn’t see tell me how to be a bebe tell me and teach me I have to learn how to play now and what to do to me to string me rightcurrent on and stay on now and switch me and be noisy and play now and how to be with another other or sing me or tell me how to be and live now how to live properly how to be as I really as I always wanted to and didn’t do and I never learn me yet and I have to learn me now that will learn me and I teach me I am teacher of life now I will tell me you have to plan a day now steam fish mister potato tells me ania will make a new man outta me ania will tell me and learn me tell me how which way does it go like that and like that now and like this and this just likethis and this and like this now show me and I have a chord a accord mrs pawlowska shoes me show me you hold a hand like that and you play like that and you paint like that and you do this and this exactly like this and this will lead me and this and that will do me and this way thatta this way and this way I’m young now and have to learn me and have to start have to know how knowhow and where and what now and which way to do it I make list now you folow this and this and don’t stop me and you show me like this and like this this way I can marry if you show me just show me you are my doctor who now you are my guru guide me you show me for almost a week I was you help me help me now help me rhonda help me she helps me help me Julia she helps me help me mina she helps me someone helps me must be mary blue pencil; now must be merry mary she helps me help me some body
← Laird, Bufton and an Interlocutor Prelude
by Kent MacCarter
by Kent MacCarter
Siobhan Hodge Reviews Eileen Chong →
by Siobhan Hodge
by Siobhan Hodge
Ukulele Ekphrasis: Prudence Flint and Ania Walicz
By Prudence Flint and Ania Walwicz | 20 September 2012
Electric Guitar
Prudence Flint graduated with her Bachelor of Arts in painting at Victoria College of the Arts (1989) before completing her Master of Fine Art by research at Monash University (2008). In 2004 she won the Doug Moran National Portrait Prize with her painting A Fine Romance#9 and in 2009 the Portia Geach Memorial Award with her painting Scrambled Egg. She has been a finalist in numerous drawing and painting prize shows including; Arthur Guy Memorial Painting Prize, Archibald Portrait Prize, R & M McGivern Prize, Geelong Contemporary Art Prize, National Works on Paper, Paul Guest Prize, and Darebin-La Trobe Acquisitive Art Prize. Her work is held in the collections of City of Port Phillip, Artbank, BHP Billiton and private collections in Australia. Flint is represented by Nellie Castan Gallery in Melbourne, Chapman Gallery in Canberra, and Bett Gallery in Hobart. She is to have her eleventh solo show at Nellie Castan Gallery in October 2012.
http://www.prudenceflint.com
http://www.prudenceflint.com
Ania Walwicz is an Australian poet and play-wright, born in Swidnica, Poland, she emigrated to Australia in 1963 and was educated at Melbourne's Victorian College of Arts and the University. She has been a writer-in-residence at Australian universities and is well-known for performances of her work. She is widely admired for her highly experimental poetry, which rejects the conventional structures of free-verse in favour of the prose-poem form, but creates energetic rhythms through patterns of grammatical and tonal recurrence. Walwicz's principal collections include Writing (1982), re-issued as Travel/Writing in 1989, Boat (1989), and Red Roses (1992). Her theatrical pieces include Girlboytalk (1986), Dissecting Mice (1989), Elegant (1990), Elegant (2013), Palace of Culture (2014) and Horse (2018).
Related work:
- Andy Jackson Reviews Solid Air: Australian and New Zealand Spoken Word
- Body of Sound
- ‘Eat’ from Horse
- ‘Language can multiply itself and form secret and unusual patterns’: Andrew Pascoe Interviews Ania Walwicz
- Horse Preamble
- Horse
- Review Short: Ania Walwicz’s The Palace of Culture
- Radio Laneways and the Melbourne Sound
- All Writing Is Pigshit
- Enter Cordite Scholarly