Images by Therese Ritchie

CONFESSION Editorial: Keri Glastonbury

But you’re not ugly: 28 Portraits by Therese Ritchie

Elif Sezen’s ‘Dear Immigrants’ and ‘The Turkish Bath’ by Paul Magee and Elif Sezen
Feminine Beings: A Resonance of Voices in Vietnamese Poetry by Nhã Thuyên
The Many Lives of a Handscroll: Inspired by Zhai Yongming’s ‘Ambling along the Fuchun Mountains with Huang Gongwang’
by Iris Fan Xing
‘The atomic landscape … does not allow me to rest’: Kurihara Sadako and the Hibakusha Poet as Public Intellectual
by Cassandra Atherton
Language Barriers by Robert Wood
Courrier des Antipodes – Notes on Michel Butor’s Letters from the Antipodes by Pam Brown

Four Translated Reagan R Maiquez Poems by Marlon James Sales
Three Translated Nikos Nomikos Poems by George Mouratidis
Alyosha Wiengpong, Untitled and Translated by Adam and Sumana Aitken

Winking Fever by Dave Mahler

‘I lift the house / of language, allow doubt / to whoosh in’: A Conversation with Tommy ‘Teebs’ Pico and Mikaila Hanman Siegersma
Hannah Hall Interviews Omar Musa

And a sequence of 55 new poems selected by Keri Glastonbury:
Goodbye Forever
by Bridget Lutherborrow
Disgusting Landscape
by Jamie Marina Lau
Water on Water
by Ellen van Neerven
by Holly Isemonger
Film Fest
by Annalise Pippard
aphex twin grin or, r.i.p Mercat
by Alexandra Schnabel
The Day We Bury
by Reihana Robinson
There’s a Kiss
by Michelle Hamadache
poetry kool-aid
by Sophie Curzon-Siggers
Site 1686
by Kaitlin Fenwick
Our Night Afternoon
by Elif Sezen
My Skeptic Tremor
by Jill Jones
domestic proportions
by Loma Bridge
Mortalities Memorandum
by Kate Lilley
Phlegm: a love poem
by Tricia Dearborn
by Joanne Burns
Reunion Song
by Luke Beesley
by Lachlan Brown
by Michael Farrell
by Toby Fitch
By Christmas
by Cyril Wong
Making Instant Noodles at the End of the Rainbow
by Norman Erikson Pasaribu and Tiffany Tsao
methane dress
by Jane Joritz-Nakagawa
by Sam Riviere
your new diet
by Oscar Schwartz
by Danny Gentile
by Marty Hiatt
Recovery Ode
by Chris Brown
by Anthony Lawrence
confession 2
by Stu Hatton
21 Ideal Dates
by Tahlia Chloe
Hidden Talents.
by Kerri Shying
by Dusk Dundler
Swift Venom
by Christine Burrows
Lung Rubble
by Alice Chipkin
by Tanya Grae
“like a kid eats cake”
by Ray Liversidge
There’ll Always Be Music
by Gareth Jenkins
The Pardoner
by Stuart Barnes
The Bees
by Chris Armstrong
by Connor Weightman
by Ali Jane Smith
by Philip Hammial
by Adam Stokell
Backchannel Norms
by Justin Wolfers
by Michele Seminara
by Carin Smeaton
by Šime Knežević
by Philip Hammial
another agenda
by Adam Lau
Unfinished Objects
by Stephanie Christie
Being Astrid Lorange
by Kathryn Hummel
by Jackson
resc(you) dog
by Ann-Marie Blanchard
The Last Time
by Eva Birch
by Jen Currin


Released: 1 February 2017


EKPHRASTIC Editorial: Poetry that Sees

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Ekphrasis In ancient Greece ekphrasis was understood more broadly than in the contemporary world, indicating a complex genealogy for this term that encompasses so much fine poetry as well as many other forms of writing. For the ancients, the best …

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Chloe Wilson Reviews David McCooey

Monday, April 24th, 2017

At first, David McCooey’s Star Struck appears to be a collection comprising four sections, each self-contained and corralled from the others. These sections range from a series of lyric poems meditating on a ‘cardiac event’, to poems investigating light and dark, a sequence of eighteen ‘pastorals’ on pop stardom (and fandom) and, finally, two longer narrative poems.

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Interview with Sidney Nolan (Ella O’Keefe edit)

Wednesday, March 1st, 2017

Hazel de Berg’s recordings take place in the homes or work spaces of the subjects rather than a recording studio. This allows something of these places into the recording whether birdsong, traffic or an r&b song playing in the background.

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On the Sidewalk: Towards an Ethopoetics of the Streets

Tuesday, November 1st, 2016

In his prose poem ‘The Eyes of the Poor,’ Baudelaire stages a Parisian tableau that brings together the disenfranchised poor and the privileged bourgeoisie in an awkward moment of encounter. The lyric / narrative ‘I’ and his female companion were …

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John Clarke’s Complete Verse

Tuesday, April 18th, 2017

Clarke introduces a number of Australian poets hitherto unknown, whose work has a huge influence on English poetry. There is Arnold Wordsworth, ‘a plumber in Sydney during the first half of the 19th century … responsible for a good deal of the underground piping in Annandale and Balmain. He lived with his sister Gail and with his mate Ewen Coleridge, who shared his interest in plumbing, and also in poetry and, to a degree, in Gail’.

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