James Stuart: the white horse

30 June 2008

Chinese text 01:
 
 
Wanting so much to learn the classifier for poems
about classifiers, I sought out the wisest teacher;
she handed me a black ceramic pot the spout of which
now daily flowers into smog. I needed more:
the Second Way, she said, was a devotion
to propaganda, perhaps a shot at life on the petulant seas.
But the white stallion with its cloud-draped hooves
& silk-thread mane never turned up for collection.
Nor did my Vietnamese mother who had forsaken me on this,
the eve of the lunar new year. Only thus did I learn
that I am from Australia, that I am an Australian
- an ungracious people, I have read, whose marketable skills
include pressing the eject button on history,
that constellation of CD players in the sky.
& so I was: a spinning disc who spoke often
but recorded nothing, not even the tiniest byte.
I had a thirst that strong white liquor couldn't quench.
I was always hungry, especially at night.
For hours I would channel surf a TV that had been turned
upside down & emptied of intelligible signs.
Once I woke up parched in the first gradient of day
when the morning meal is not yet served;
the eggs, alive & cackling. In empty
rooms throughout the hotel, lacy curtains heaved out
– absolute silence — snatching at grey, smoke-laden air.

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James Stuart

About James Stuart


James Stuart’s most recent projects include Conversions, an exhibition of poetry in translation (Chengdu, Suzhou and Beijing) and, The Material Poem, an e-anthology of text-based art and inter-media writing. He won the 2010 Newcastle Poetry Prize’s New Media Category for a collaboration with artist Laura Gulbin. He holds a Masters of Creative Arts, centred on the interface between poetry and materiality, and was a 2008 Asialink Literature Resident in Chengdu, China, supported by the Australia Council and Arts NSW. He works as a Communications Manager at a Sydney university.



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