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	<title>Cordite Poetry Review</title>
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	<link>http://cordite.org.au</link>
	<description>Australian poetry and poetics</description>
	<lastBuildDate>Wed, 19 Jun 2013 01:44:24 +0000</lastBuildDate>
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		<title>Review Short: Julie Chevalier&#8217;s &#8216;Darger: his girls&#8217;</title>
		<link>http://cordite.org.au/reviews/review-short-julie-chevaliers-darger-his-girls/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=review-short-julie-chevaliers-darger-his-girls</link>
		<comments>http://cordite.org.au/reviews/review-short-julie-chevaliers-darger-his-girls/#comments</comments>
		<pubDate>Wed, 19 Jun 2013 00:50:25 +0000</pubDate>
		<dc:creator>Jessica Alice</dc:creator>
				<category><![CDATA[BOOK REVIEWS]]></category>
		<category><![CDATA[Henry Darger]]></category>
		<category><![CDATA[Jessica Alice]]></category>
		<category><![CDATA[Julie Chevalier]]></category>

		<guid isPermaLink="false">http://cordite.org.au/?p=24966</guid>
		<description><![CDATA[<img src="http://cordite.org.au/wp-content/uploads/2013/06/darger.jpg" alt="Darger: his girls" width="150" class="alignleft size-full" />Henry Darger’s reputation as an outsider artist – and the questions of morality lingering around his dark paintings – has inspired recent exhibitions, books, plays and a documentary. Julie Chevalier’s poetic biography <em>Darger: his girls</em> (subtitled <em>a sequence of poems about the life of Henry Darger 1892 – 1973</em>) has come at peak-Darger fever. Chevalier includes an introduction, familiarising us with the debate about what kind of man Henry Darger really was: child murderer, or misunderstood loner? The latter explanation is explored throughout this work.]]></description>
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		<title>Foreword Viidikas: Reintroduction of the &#8217;68 Poet</title>
		<link>http://cordite.org.au/essays/viidikas-leves/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=viidikas-leves</link>
		<comments>http://cordite.org.au/essays/viidikas-leves/#comments</comments>
		<pubDate>Tue, 18 Jun 2013 00:30:48 +0000</pubDate>
		<dc:creator>Kerry Leves</dc:creator>
				<category><![CDATA[ESSAYS]]></category>
		<category><![CDATA[Barry Scott]]></category>
		<category><![CDATA[Jennifer Maiden]]></category>
		<category><![CDATA[john tranter]]></category>
		<category><![CDATA[Kerry Leves]]></category>
		<category><![CDATA[Vicki Viidikas]]></category>

		<guid isPermaLink="false">http://cordite.org.au/?p=24965</guid>
		<description><![CDATA[John Tranter, renowned Australian poet and occasional but incisive chronicler of the driving forces behind those Australian poets now classified as ‘The Generation of ‘68’ once wrote that the ‘Generation of ‘68’ was all about:

'not the replacing of the old by the new (which soon becomes the established), but by the continual recognition of the need to ‘make it new’, to break down the urge to establish reputations and an entrenched position.'

Anecdotes surround Vicki Viidikas. None is definitive.]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>‘It was a place of force—’ Re-reading the Poems of &#8216;Ariel&#8217;</title>
		<link>http://cordite.org.au/guncotton/it-was-a-place-of-force-re-reading-the-poems-of-ariel/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=it-was-a-place-of-force-re-reading-the-poems-of-ariel</link>
		<comments>http://cordite.org.au/guncotton/it-was-a-place-of-force-re-reading-the-poems-of-ariel/#comments</comments>
		<pubDate>Tue, 11 Jun 2013 23:47:31 +0000</pubDate>
		<dc:creator>Jacinta Le Plastrier</dc:creator>
				<category><![CDATA[GUNCOTTON]]></category>
		<category><![CDATA[Jacinta Le Plastrier]]></category>
		<category><![CDATA[Sylvia Plath]]></category>
		<category><![CDATA[Ted Hughes]]></category>

		<guid isPermaLink="false">http://cordite.org.au/?p=24953</guid>
		<description><![CDATA[<img src="http://cordite.org.au/wp-content/uploads/2013/06/ariel.jpg" alt="Ariel" width="150" class="alignleft"/> So much has happened to poetry since Sylvia Plath completed her last poems fifty years ago in 1963 that it might seem weird or regressively sentimental to focus back on them. But, encouraged to do so by a number of anniversary events around the globe this year, what strikes is the endurance of these final poems’ brutal clarity.]]></description>
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		<title>Review Short: Luke Beesley&#8217;s &#8216;Balance&#8217;</title>
		<link>http://cordite.org.au/reviews/beesley-balance/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=beesley-balance</link>
		<comments>http://cordite.org.au/reviews/beesley-balance/#comments</comments>
		<pubDate>Mon, 10 Jun 2013 23:06:36 +0000</pubDate>
		<dc:creator>Ella O'Keefe</dc:creator>
				<category><![CDATA[BOOK REVIEWS]]></category>
		<category><![CDATA[Ella O'Keefe]]></category>
		<category><![CDATA[luke beesley]]></category>

		<guid isPermaLink="false">http://cordite.org.au/?p=24941</guid>
		<description><![CDATA[<img src="http://cordite.org.au/wp-content/uploads/2013/06/balance.jpg" alt="Balance" width="150" class="alignleft size-full" />The poems in Luke Beesley’s <em>Balance</em>, like Siobhan Hodge’s work in <em>Picking Up The Pieces</em>, tend towards brevity (with a few exceptions). In Hodge’s case we might consider this quality in relation to fragments, where the body and the reader’s attention is cut-up. Reading Beesley, the encounter is one that is instead cut-off – that is to say that this is poetry attuned to the momentary and to the sensing body moving through the world.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review Short: Siobhan Hodge&#8217;s &#8216;Picking Up the Pieces&#8217;</title>
		<link>http://cordite.org.au/reviews/hodge-picking-up-the-pieces/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=hodge-picking-up-the-pieces</link>
		<comments>http://cordite.org.au/reviews/hodge-picking-up-the-pieces/#comments</comments>
		<pubDate>Mon, 10 Jun 2013 23:05:09 +0000</pubDate>
		<dc:creator>Ella O'Keefe</dc:creator>
				<category><![CDATA[BOOK REVIEWS]]></category>
		<category><![CDATA[Ella O'Keefe]]></category>
		<category><![CDATA[Siobhan Hodge]]></category>

		<guid isPermaLink="false">http://cordite.org.au/?p=24939</guid>
		<description><![CDATA[<img src="http://cordite.org.au/wp-content/uploads/2013/06/picking-up-the-pieces.jpg" alt="Picking Up the Pieces" width="150" class="alignleft size-full" /><em>Picking Up the Pieces</em> is a compact debut of eight poems from West Australian poet Siobhan Hodge. Its publisher, Wide Range Chapbooks, is a Cambridge based small press run by John Kinsella. Wide Range publishes poets such as Redell Olson, Rob Mengham and Drew Milne mixed in alongside young and emerging local poets, many of them students like Hodge (who in 2012 undertook a research residency in Cambridge). The collegial spirit of Wide Range and the relatively modest production values – Hodge’s book comes stapled in a photocopied card cover – suggests a publishing model that favours immediacy and ease of circulation, in a town where poetry and thinking are a constant activity.]]></description>
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		<title>Angela Meyer Reviews Judith Rodriguez and Niall Lucy, John Kinsella</title>
		<link>http://cordite.org.au/reviews/meyer-rodriguez-lucy-kinsella/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=meyer-rodriguez-lucy-kinsella</link>
		<comments>http://cordite.org.au/reviews/meyer-rodriguez-lucy-kinsella/#comments</comments>
		<pubDate>Wed, 05 Jun 2013 23:01:35 +0000</pubDate>
		<dc:creator>Angela Meyer</dc:creator>
				<category><![CDATA[BOOK REVIEWS]]></category>
		<category><![CDATA[Angela Meyer]]></category>
		<category><![CDATA[John Kinsella]]></category>
		<category><![CDATA[Judith Rodriguez]]></category>
		<category><![CDATA[Niall Lucy]]></category>

		<guid isPermaLink="false">http://cordite.org.au/?p=24945</guid>
		<description><![CDATA[<img src="http://cordite.org.au/wp-content/uploads/2013/06/moondyne-thwaits.jpg" alt="The Hanging of Minnie Thwaites and The Ballad of Moondyne Joe" width="150" class="alignleft size-full" />Judith Rodriguez’s <em>The Hanging of Minnie Thwaites</em> and Niall Lucy’s and John Kinsella’s <em>The Ballad of Moondyne Joe</em> are informative poetic explorations of the historical figures Frances Knorr, known as Minnie Thwaites, and Joseph Bolitho Jones, known as Moondyne Joe. The books are explorations and not interpretations, as the authors are aware of the trappings of context, of interpreting fragments of text from the past according to one’s own contemporary values. Of course, this is not completely avoidable and the postmodern notion of avoiding an authoritative account is itself, arguably, a condition of context.]]></description>
		<wfw:commentRss>http://cordite.org.au/reviews/meyer-rodriguez-lucy-kinsella/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Introducing No Theme II</title>
		<link>http://cordite.org.au/essays/introducing-no-theme2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=introducing-no-theme2</link>
		<comments>http://cordite.org.au/essays/introducing-no-theme2/#comments</comments>
		<pubDate>Fri, 31 May 2013 15:30:22 +0000</pubDate>
		<dc:creator>Gig Ryan</dc:creator>
				<category><![CDATA[ESSAYS]]></category>
		<category><![CDATA[Gig Ryan]]></category>

		<guid isPermaLink="false">http://cordite.org.au/?p=24907</guid>
		<description><![CDATA[Of the poems I’ve chosen for this theme-free issue, some are headily elusive, such as the epistolary ‘Shooting“Correspondence”Gallery’ where meanings crumple and re-form through their costly tousled language. Others such as ‘Gull’ are propelled almost entirely by sound and rhythm. &#8230;]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>unAustralian English</title>
		<link>http://cordite.org.au/essays/unaustralian-english/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=unaustralian-english</link>
		<comments>http://cordite.org.au/essays/unaustralian-english/#comments</comments>
		<pubDate>Fri, 31 May 2013 15:29:13 +0000</pubDate>
		<dc:creator>Oscar Schwartz</dc:creator>
				<category><![CDATA[ESSAYS]]></category>
		<category><![CDATA[Chris Mann]]></category>
		<category><![CDATA[Oscar Schwartz]]></category>
		<category><![CDATA[Π.O.]]></category>

		<guid isPermaLink="false">http://cordite.org.au/?p=24576</guid>
		<description><![CDATA[I. I went to visit Chris Mann in his apartment in Manhattan at the beginning of July 2012. Half of his apartment was covered with plants. There were trees, ferns and flowers hanging from every landing. Mounted on the walls &#8230;]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Recording Archives: &#8216;A Way with Words&#8217;</title>
		<link>http://cordite.org.au/essays/recording-archives-way-with-words/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=recording-archives-way-with-words</link>
		<comments>http://cordite.org.au/essays/recording-archives-way-with-words/#comments</comments>
		<pubDate>Fri, 31 May 2013 15:27:34 +0000</pubDate>
		<dc:creator>Carol Jenkins</dc:creator>
				<category><![CDATA[ESSAYS]]></category>
		<category><![CDATA[Carol Jenkins]]></category>
		<category><![CDATA[Christine Paice]]></category>
		<category><![CDATA[David Mortimer]]></category>
		<category><![CDATA[John Watson]]></category>
		<category><![CDATA[Julie Chevalier]]></category>
		<category><![CDATA[Kerry Leves]]></category>
		<category><![CDATA[Michael Sharkey]]></category>

		<guid isPermaLink="false">http://cordite.org.au/?p=24656</guid>
		<description><![CDATA[For two years, from September 2009 to October 2011, I produced <em>A Way with Words</em>, a weekly radio program showcasing contemporary Australian poetry. In all, 106 episodes (each of around five minutes) were produced. Presented here is a chance to listen in on six gems from the archives vault – some of my favourites, chosen for the most part because they are impossible to find elsewhere as audio. <em>A Way with Word</em>s was broadcast weekly by ArtSound in Canberra, picked up by Ozwrite on the National Community Radio Network, Dover Road Radio broadcasting from the Isle of Wright in the UK, 2KRRR Community Radio in Kandos and 3RRR in Melbourne.]]></description>
		<wfw:commentRss>http://cordite.org.au/essays/recording-archives-way-with-words/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>X About X: An Interview with Shane Rhodes</title>
		<link>http://cordite.org.au/interviews/shane-rhodes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=shane-rhodes</link>
		<comments>http://cordite.org.au/interviews/shane-rhodes/#comments</comments>
		<pubDate>Fri, 31 May 2013 15:25:34 +0000</pubDate>
		<dc:creator>Matthew Hall</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[Matthew Hall]]></category>
		<category><![CDATA[Sarah Gory]]></category>
		<category><![CDATA[Shane Rhodes]]></category>

		<guid isPermaLink="false">http://cordite.org.au/?p=24910</guid>
		<description><![CDATA[<img src="http://cordite.org.au/wp-content/uploads/2013/05/Shane_Rhodes.jpg" alt="Shane Rhodes" width="150" class="alignleft"/>Queensland Poetry Festival is thrilled to welcome award-winning Canadian poet Shane Rhodes as the 2013 Arts Queensland Poet in Residence. Since the residency program began in 2005, Queenslanders have had the pleasure of hosting an international poet for three months each year, bringing their ideas and creative energy to inform, influence, and engage fellow poets.]]></description>
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