INTERVIEWS
An interview with Tom Clark
Since 2006, Tom Clark has been an academic in the School of Communication and the Arts at Victoria University, Melbourne, where he teaches and researches in political rhetoric as a family of performance poetry. Previously he completed a PhD, writing …
An interview with Ivy Alvarez
Ivy Alvarez is the author of Mortal (Red Morning Press, 2006). Her poems feature in anthologies, journals and new media in many countries, including Best Australian Poems 2009, and have been translated into Russian, Spanish, Japanese and Korean. In May …
An interview with Benito Di Fonzo
Born into an Irish-Italian working class family in Sydney’s inner west, journalist, playwright, poet and performer Benito Di Fonzo has written for, and been profiled by, the best and worst of publications including The Sydney Morning Herald, The Sun Herald, …
An interview with M. F. McAuliffe
M. F. McAuliffe was born and educated in Adelaide and Melbourne, and holds an Honours degree in English and some graduate stuff in photography and anthropology. She has taught technical writing, media analysis and basic TV production to engineering and …
An interview with Brendan Ryan
Brendan Ryan grew up on a dairy farm at Panmure in Western Victoria. One of ten children, the themes of farming and family have influenced his poetry for over twenty years. His first chapbook, Mungo Poems was published by Soup …
An interview with Talan Memmott
Talan Memmott is Assistant Professor of digital media and culture in the Digital Culture and Communications program at Blekinge Institute of Technology and an internationally known practitioner of electronic literature and digital art with a practice ranging from experimental video to digital performance applications and literary hypermedia. In June 2011 I met with Talan to discuss the history of beehive Hypertext Hypermedia Literary Journal, which he founded and edited.
Posted in FEATURES, INTERVIEWS Tagged archiving, David Prater, e-lit, editing, editors, journals, Talan Memmott Leave a commentAn interview with Maria Engberg
Maria Engberg is a lecturer at Blekinge Tekniska Högskola in Karlskrona, Sweden, a researcher in digital media and literature and my colleague in the ELMCIP project. I caught up with her in August 2011 before she jetted off to Georgia …
Posted in FEATURES, INTERVIEWS Tagged David Prater, e-lit, Maria Engberg, Sweden, teaching Leave a commentAn interview with Jason Nelson
It is overly simplistic to state digital poems come entirely from building/discovering interfaces. Any artist’s creative practice is a merging/melding mix of fluid events and inspirations. But within many digital poems there is one commonality, the emphasis on interface.
An interview with Kim Ki-Taek
As I write this introduction, it occurs to me that the following interview constitutes my first unmediated communication with Kim Ki-taek (if we discount the technology through which we’ve communicated), that is to say a communication unmediated by a third, human, party.
Posted in FEATURES, INTERVIEWS Tagged KIm Ki-taek, Korea, orphans, Ozko Features, seoul, Terry Jaensch 2 CommentsGay/Poet/Korea: An interview with Gabriel Sylvian on the poetry of Gi Hyeong-do
Gay/Poet/Korea – it is not lost on me that with these three words I might well have been searching for myself, attempting to locate myself in a new context, a new country, but in the end the search produced Gi Hyeong-do.
Posted in FEATURES, INTERVIEWS Tagged Gi Hyeong-do, GLBT, Korea, Ozko Features, seoul, Terry Jaensch 5 CommentsAn Interview With Peter Larkin
This interview was began on a midday walk along the Coventry and Warwick borders in England’s temperate May and was concluded over the course of these past months. My own visit to Warwick was a delight, though suffering from the travails of long distant travel and foreign flu bugs, it was a long awaited and much anticipated trip.
The Death of Poetry in Australian Classrooms
In 1982 Neil Postman first noted that the concept of childhood was disappearing in his book, The Disappearance of Childhood. It's highly unlikely that we'll be saying anything new if we claim that poetry is disappearing from the classroom. And though it is, and has been doing so for decades, poetry itself survives. It's just going to other places. To the small press, to cafes, to cyberspace, even to public transport. Perhaps, if we want poetry to be heard and read in other places too, our society needs to bring it back to schools.
Posted in ESSAYS, FEATURES, INTERVIEWS Tagged Ashley Capes, education, Graham Nunn, syllabi, teaching 8 CommentsUnder Government and Restraint: Tim Jones interviews David Howard
After serving as a pyrotechnics supervisor for acts such as Metallica and Janet Jackson, New Zealand poet David Howard (pictured left) retired to Purakanui in order to write. His collaboration with photographer Fiona Pardington, How To Occupy Our Selves, was published in 2003. The Harrier Suite appeared in both Best New Zealand Poems 2004 and The Word Went Round (2006). In 2007 David worked with Brina Jez-Brezavscek on a sound installation, The Flax Heckler, in northern Slovenia. On 18 September 2009 soprano Judith Dodsworth premiered Johanna Selleck's setting of his lyric Air, Water, Earth Meld at Melba Hall in Melbourne, and in December 2009 [after giving this interview] he received the inaugural NZSA Mid-Career Writer's Award. His poetry has been translated into German, Italian, Slovene and Spanish.
David Prater interviews Ko Un
On a hazy autumn day in Seoul in October 2009, Cordite editor David Prater spent an all-too-brief hour with Ko Un, one of Korea's best known poets and the author of a true twentieth century epic, Maninbo [Ten Thousand Lives]. Ko Un's chief English translator An Sonjae acted as interpreter during the conversation, which ranged across various topics including silence, epic poetry and democracy in the twenty-first century.
Posted in FEATURES, INTERVIEWS Tagged An Sonjae, David Prater, epic, ko un, Korea, Ozko Features Comments OffAli Alizadeh interviews John Kinsella
John Kinsella's most recent book Divine Comedy: Journeys Through a Regional Geography is an incredibly ambitious and meticulous rewriting of that great epic poem of the Middle Ages, Dante's The Divine Comedy. Our guest poetry editor for Epic, Ali Alizadeh, interviewed Kinsella recently, via email. Their discussion ranged from traditional notions of the epic form, and Kinsella's relationship with it, to ecological manifestoes and collaborative projects, and the concept of 'pushing against form'.
After serving as a pyrotechnics supervisor for acts such as Metallica and Janet Jackson, New Zealand poet David Howard (pictured left) retired to Purakanui in order to write. His collaboration with photographer Fiona Pardington, How To Occupy Our Selves, was published in 2003. The Harrier Suite appeared in both Best New Zealand Poems 2004 and The Word Went Round (2006). In 2007 David worked with Brina Jez-Brezavscek on a sound installation, The Flax Heckler, in northern Slovenia. On 18 September 2009 soprano Judith Dodsworth premiered Johanna Selleck's setting of his lyric Air, Water, Earth Meld at Melba Hall in Melbourne, and in December 2009 [after giving this interview] he received the inaugural NZSA Mid-Career Writer's Award. His poetry has been translated into German, Italian, Slovene and Spanish.
On a hazy autumn day in Seoul in October 2009, Cordite editor David Prater spent an all-too-brief hour with Ko Un, one of Korea's best known poets and the author of a true twentieth century epic, Maninbo [Ten Thousand Lives]. Ko Un's chief English translator An Sonjae acted as interpreter during the conversation, which ranged across various topics including silence, epic poetry and democracy in the twenty-first century.
John Kinsella's most recent book Divine Comedy: Journeys Through a Regional Geography is an incredibly ambitious and meticulous rewriting of that great epic poem of the Middle Ages, Dante's The Divine Comedy. Our guest poetry editor for Epic, Ali Alizadeh, interviewed Kinsella recently, via email. Their discussion ranged from traditional notions of the epic form, and Kinsella's relationship with it, to ecological manifestoes and collaborative projects, and the concept of 'pushing against form'.




