EDITORIAL

Since 2005, the poetry in each new issue of Cordite has been selected by a different guest editor. Recent guest editors have included Jill Jones, Eun-gwi Chung, Liam Ferney, Alison Croggon, Ivy Alvarez, Ali Alizadeh and joanne burns.




So long – and thanks for all the poetry!

This issue of Cordite Poetry Review is my last as Managing Editor. After eleven years I feel that the time has come for renewal and fresh energy. Therefore I’m also very pleased to announce, after a lengthy selection process, that …

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Liner Notes: Nebraska

Bruce Springsteen’s Nebraska album was released thirty years ago, in 1982. Twenty-four years after that iconic moment in the history of urban American folk, Liner Notes debuted at the 2006 Melbourne Fringe Festival with a spoken word tribute to David …

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Work: A Cordite-Prairie Schooner Collaboration

Cordite is excited to announce a special collaboration with Nebraska-based literary journal, Prairie Schooner. The collaboration, entitled ‘Work’, is the first in what promises to be an exciting ‘Fusion’ series, wherein Prairie Schooner teams up with innovative journals from around …

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No! Theme! Editorial!

The young PhD was applying for a ‘Theory for Practising Writers’ teaching position in a Creative Writing degree. He had devised a three year course, the first year of readings, lectures, tutorials and essays which though extending as far back …

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Tiny Steps: the Electr(on)ification of Cordite

Cordite 36: Electronica has been a fascinating and challenging issue to put together. It contains forty new poems, fifteen spoken word tracks, a dozen features and, for the first time, a selection of multimedia or ‘e-lit’ works. Bringing together these disparate types of content raises an interesting question for Cordite as an online journal. Have we finally broken through that invisible barrier between ‘text-based journal’ and ‘online journal of electronic literature’?

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Electronica

This issue of Cordite makes a bow to music and the ways musicians in various modes and guises have used electric technologies to generate sound. When David suggested this editing gig to me, I thought how odd, and then, perhaps, …

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Cordite 35: Oz-Ko is now complete!

If you’d told me in April this year that we’d still be posting content from our Oz-Ko issue in November, I would have called you barking mad. But that’s exactly what’s happened: what started out in 2009 as an idea for a straightforward issue devoted to new poetry from Australia and the Republic of Korea has now spawned three separate issues including one hundred and fifteen poems (of which over ninety are translations), almost two dozen features (including essays, articles, interviews and photo galleries) and two separate tours, to Korea and Australia, by a total of eight poets from both countries.

Excuse me while I take a moment to reflect on that.

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In the Republic of Words: Ethics of Translation & the Politics of Contemporary Korean Poetry

In a book I recently read with my students in an undergraduate translation class, the writer sets forth twenty provocative theses on translation in this era of globalization for a new comparative literature, ranging from ‘Nothing is translatable’ to ‘Everything …

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Oz-Ko (Hoju-Hanguk) is now online!

The task of bringing these poems to you has been nothing short of monumental. Starting with the combined efforts of twenty poets whose work was selected for this stage of the issue, followed by the Cordite editorial team’s struggles with the challenges of bi-lingual layout and formatting, and finally of course the crucial role played by our two Korean translators – 김재현 (Kim Gaihyun) and 김성현 (Kim Sunghyun) – it’s been a labour of love, and we hope you enjoy the results.

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Oz-Ko Envoy (Editorial)

When the call for submissions to Cordite’s thirty-fifth issue went out last November, it included the following ‘instructions’ for potential contributors: “For this issue, while the overarching aim is Australia-Korea relations, we instead seek works on any theme. Although works that take Korean themes as their inspiration will of course be considered, the focus is on attracting engaging, innovative, translatable and contemporary works, no matter their ostensible subject(s).”

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Children of Malley 2: Vogel’s Gang

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On Creative Commons II

The notion that poetry is primarily self-expression has often seemed to me a seductive (but conveniently commodifiable) mistake. We all like to think that we are makers of language, but anyone poking around in the engine of poetry uneasily realises that it is just as likely to be the other way around, that just as DNA shapes our morphology, language is the shaper of our consciousness.

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On Creative Commons

Welcome to Creative Commons, the thirty-third issue of Cordite Poetry Review! With this issue we celebrate ten years online!

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Zombie 2.0

We know more about the undead species who have lived in our hearts and dined on our minds than ever before. We have probed into their weaknesses, evaded their tricks and know well of their canny (and uncanny) chicanery. We know these things … because they were once like us. Let us not rest on our laurels. Let us be vigilant and as ready as we can be for the uneasy future that is Zombie 2.0.

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Post-Epic (Editorial)

We're thrilled and excited to say that we've now gone live with the second part of our Epic issue. Cordite 31.1: POST-EPIC aims, in the spirit of Ko Un's Maninbo (Ten Thousand Lives), to produce 1,000 lines of epic poetry. Towards this end, the poets featured in our Epic issue have each nominated a line from their work to be used as the title and starting point for a new Post-Epic poem.

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