- FREE: 20 Poets anthology
- 92: NO THEME VIIISUBMIT to C Gaskin 91: MONSTERwith N Curnow, coming soon! 90: AFRO AUSTRALIANwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith Fiona Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith Vladimir Lucien 80: NO THEME VIwith Judith Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith Keri Glastonbury 56: EXPLODE with Dan Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with Pam Brown 52.0: TOIL with Carol Jenkins 51.1: UMAMI with Luke Davies and Lifted Brow 51.0: TRANSTASMAN with Bonny Cassidy 50.0: NO THEME IV with John Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with Tracy Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with Corey Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with Michael Farrell 46.0: NO THEME III with Felicity Plunkett 45.0: SILENCE with Jan Owen 44.0: GONDWANALAND with Derek Motion 43.1: PUMPKIN with Kent MacCarter 43.0: MASQUE with Ann Vickery 42.0: NO THEME II with Gig Ryan 41.1: RATBAGGERY with Duncan Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with Kent MacCarter 40.0: INTERLOCUTOR with Libby Hart 39.1: GIBBERBIRD with Sarah Gory 39.0: JACKPOT! with Sam Wagan Watson 38.0: SYDNEY with Astrid Lorange 37.1: NEBRASKA with Sean Whalen 37.0: NO THEME! with Alan Wearne 36.0: ELECTRONICA with Jill Jones
- Aidan Coleman Reviews New and Selected Poems of Anna Wickham
- Ivy Ireland Reviews Ali Whitelock’s and my heart crumples like a coke can
- Editorial to AFRO AUSTRALIAN
- 4 Works by Guled Abdulwasi
- The Platonic Split
- you have no idea how far i swam
- To the still
- Garden of Grace
- Bloody QnA
- The Physics of Self
- Life Poem
- go ahead, call it magic
- Chalk to Charcoal
- (un) learning
- 3 Sisters
- Blood Fuel
- Raelee Lancaster Reviews Alison Whittaker’s Blakwork
- Alex Creece Reviews Marion May Campbell’s third body
- Ivy Ireland Reviews Steve Armstrong
- Magan Magan Reviews deciBels 3
- Claire Albrecht Reviews Manisha Anjali’s Sugar Kane Woman
- Review Short: Simeon Kronenberg’s Distance
Australian poet Vanessa Page’s latest collection, Confessional Box, is equal parts personal and critical, examining emotional relationships with a terse, engaging style. As the title suggests, there is a strongly self-aware element to Confessional Box. The poems are relatively open, encompassing a range of points of view and personas, but these are not wholly simple reflections of human relationships. Rather, Page presents a series of evolving sections, embellishing on memories and balancing broader criticisms against more personally orientated notions of access and invitation.
Australian poet Christopher Kit Kelen’s most recent collection, China Years: selected and new poems, contains English and Chinese pieces, presented side by side in translation, along with original artwork. Kelen’s strong interest in translation is immediate on the front cover and throughout the collection, highlighting a focus on creating points of access. When paired with Kelen’s original ink and watercolour drawings, interspersed as breaks throughout the text, a reading approach that is both fluid and inclusive is encouraged.
Bonny Cassidy’s Certain Fathoms encourages readers to feel for the full extent of her poetic linkages, presenting a series of poems broken into two parts, inviting immediate and further reflection. The poems outwardly celebrate subtlety and linkage through their fragmentary structures, including much natural imagery and a quiet but definitive speaking voice.
Bersyarat Jurang pemisah membuka dan di sekitarnya retakan-retakan bumi menggigit sulur rasa dari mulut tinggal mengering, simbiosis retakan tepi merah. Perkataan perempuan itu terlepas dan berlari menertawai lainnya tak berlipat, lengan sang lelaki kokoh dan hangat bila dipegang menggerogot memompa …
Burning Rice by Eileen Chong
Australian Poetry, 2012
Eileen Chong’s Burning Rice is steeped in images of food, family and connectivity. The poems thematically span geographical and chronological distances in order to make links between cultural and ancestral origins. Culinary references combine to create comforting images of solidarity in the face of isolation and anxiety. However, this is not a chapbook wholly steeped in nostalgia.
‘Transmissions’ comprises of creative translations and selective re-orderings of some fragmentary works of ancient Greek poet Sappho. These compilations emphasise the occasionally violent and manipulative nature of Sappho’s poems, the potential for multiple interpretations through lacunae, and some possible implications of imposing narratives on a poet about whom we know so little and whose works survive only in pieces.
It didn’t really sink in that I was going to This is Not Art (TiNA) until about halfway through the flight from Perth to Sydney. I largely did not know what to expect, having done relatively little research beforehand and being chronically distracted by PhD studies/life as I know it.
Over There: Poems from Singapore and Australia edited by John Kinsella and Alvin Pang Ethos Books, 2008 Over There: Poems from Singapore and Australia is ambitious. This anthology reads as a sample of more to come, rather than a clear …
Dorothy Hewett and zombies' are not generally found in the same sentence. However, Hewett liberally utilises Gothic tones and imagery in her poetry. These Gothic trappings do not serve only as motifs: they permeate the mood, conflicts and resolutions of Hewett's Alice in Wormland. This collection, published in 1987, combines pseudo-autobiographical elements with parody, mythology, and morbid images to ultimately reach a strangely optimistic resolution.