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James Stuart

James Stuart’s first full-length collection of poems, Anonymous Folk Songs, is published by Vagabond Press (2013). His other book is Imitation Era (Rare Object Series, Vagabond Press, 2012). He was a 2008 Asialink literature resident in Chengdu, China and works as acommunications manager.

http://www.nongeneric.net/

James Stuart reviews Words and Things

Despite my slightly over-the-top and easily pregnable assertions about what are to my mind the lesser works enclosed therein, it became clear to me as I read (looked?) that Words and Things had a significant contribution to make to our understanding of contemporary poetics. Foremost among these is the question of what constitutes a concrete poem and, more generally, what constitutes visual poetry.

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James Stuart reviews Luke Davies

Davies does not truly develop from the ambitious ?´Totem Poem'. For the most part his love poems, some of which rhyme and flow better than others, are snapshots recounted in a language which, while tender, flounders upon certain images, such as when he compares the glow of his lover's cheeks to that of a lantern, or when he notes the lovers floating in a river with their ?´midday blisses' and the sun blessing their ?´watery kisses'.

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James Stuart Reviews Robert Adamson

What emerges is a patched-together narrative of suburban life in post-World War II Sydney. But the dark tremors that will crack open Adamson's world are peppered throughout this idyllic pastiche: his dyslexia, an alcoholic father, an intense dream-like state of mind in which consequences emerge only as they appear-

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Q&A with Mathieu Hilfiger and Sebastien Raoul

The lasting image that I will retain of Mathieu Hilfiger and Sebastien Raoul is the ever-so French portrait I took of them at the conclusion of our entretien on another biting Paris winter morning. In the photograph, Sebastien is wearing a bright red coat and black beret, and is ill shaven. Mathieu has on a black woollen coat, and a thick, grey scarf that is tied in a knot under his chin.

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Q&A with Pablo Garcia

When Pablo Garcia imparted his belief that a) Poets were shamans of today and b) Poetry was the trunk from which all other branches of art sprouted, I'll admit that I had trouble staying my left eyebrow. In the end, it remained on my forehead and I was able to engage Garcia on his thoughts regarding the cross-breeding or m?©tissage of the arts, and the interconnectivity of the world we live in.

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Q&A with Jean Orizet

As my plane touched down at Charles de Gaulle airport on a drizzly winter evening, I realised that I had completely overlooked the need to organise accommodation. Likewise, I had failed to contact any poets, nor indeed, had I succeeded in gaining any knowledge of French poetry beyond what had previously been fed to me. In the end, though, despite a half-hour walk in cold rain, I found a warm if somewhat over-priced hostel and, eventually, after hours rummaging through bookshops around the city, four editor/poets with four very different views of poetry and poetics.

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